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Glasgow School
The Glasgow School was a circle of influential modern artists and designers who began to coalesce in Glasgow, Scotland in the 1870s, and flourished from the 1890s to sometime around 1910. Representative groups were: The Four (also known as the Spook School), the Glasgow Girls〔Burkhauser, Jude. ''Glasgow Girls: Women in Art and Design 1880–1920''. Canongate Publishing, 1993.〕 and the Glasgow Boys.〔Rezelman, Cogger. The Glasgow Boys.〕 They were responsible for creating the distinctive Glasgow Style.
Glasgow experienced an economic boom at the end of the 19th century, resulting in a burst of distinctive contributions to the Art Nouveau movement, particularly in the fields of architecture, interior design, and painting.
==The Four (Spook School)==
Among the most prominent definers of the Glasgow School loose collective were The Four: the painter and glass artist Margaret MacDonald, acclaimed architect Charles Rennie Mackintosh (MacDonald's husband), MacDonald's sister Frances, and Herbert MacNair. Cumulatively, The Four defined the Glasgow Style's syncretistic blend of influences including the Celtic Revival, the Arts and Crafts Movement, and Japonisme, which found favour throughout the modern art world of continental Europe. The Four, otherwise known as the Spook School, ultimately made a great impact on the definition of Art Nouveau. The name, Spook School (or Spooky or Ghoul School) was originally a "derisive epithet" given to their work which "distorted and conventionalized human... form."
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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